Africans in Ancient Roman Society is a captivating topic that has long intrigued historians and researchers alike. As a testament to Rome’s vast and diverse cultural landscape, individuals of African descent played significant roles, enriching the fabric of this ancient civilization. From renowned playwrights to soldiers and officials, their stories illuminate the inclusive nature of the Roman Empire, showcasing its celebrated mosaic of cultures and backgrounds.

Quintus Lollius Urbicus

Hailing from the North African region of Timgad (present-day Algeria), Quintus Lollius Urbicus rose to prominence within the Roman Empire. His illustrious career included serving as the governor of Roman Britain and achieving the high rank of consul. While Urbicus’s exact ethnicity remains a subject of debate, his North African roots align him with the broader African presence in the empire. His rise to such prominent positions speaks volumes about the permeability of racial and ethnic boundaries in Rome.

Illustration of Quintus Lollius Urbicus, public domain
Illustration of Quintus Lollius Urbicus ( public domain)

Saint Maurice

The figure of Saint Maurice stands tall in the annals of early Christian history. As the leader of the Theban Legion, a unit comprised primarily of Christians, he and his legionnaires were martyred for refusing to renounce their faith. Saint Maurice is frequently depicted in medieval European art with distinct Sub-Saharan African features. This consistent representation across centuries underscores the lasting memory of his African heritage and his revered status in the Christian tradition.

Encounter of St. Martyr Mauritius, leader of the Theban Legion, with St. Erasmus.
Encounter of St. Martyr Mauritius, leader of the Theban Legion, with St. Erasmus. (Source: Wikipedia)

Lucius Septimius Bassianus (Caracalla)

Another noteworthy figure is Lucius Septimius Bassianus, better known as Emperor Caracalla. Son of the aforementioned Septimius Severus, Caracalla was co-emperor with his father and later ruled the empire in his own right. Born in Lugdunum (modern-day Lyon), his North African lineage from his father’s side makes him a representative of the African influence in the highest echelons of Roman power.

Marble bust of Emperor Caracalla, made between 212 and 215 AD, and exhibited at the Museo Nazionale Romano
The marble bust of Emperor Caracalla made between 212 and 215 AD and exhibited at the Museo Nazionale Romano (Source: Wikipedia)

Septimius Severus

Septimius Severus, the esteemed Roman Emperor originating from Leptis Magna in modern-day Libya, has often piqued historical interest regarding his potential African descent. His rise to one of the most powerful positions in the ancient world serves as a testament to Rome’s inclusive nature. While the exact details of his ethnicity remain subjects of debate, several sources and artistic representations hint at his possible Sub-Saharan lineage. Regardless of the specifics, Severus’s prominence underscores the intricate tapestry of cultures and backgrounds that the Roman Empire encapsulated.

Portrait of family of Septimius Severus
Portrait of family of Septimius Severus (Source: Wikipedia)

Terence (Publius Terentius Afer)

One of the luminaries of Roman theater, Terence’s roots in Carthage (modern-day Tunisia) have always intrigued historians. His surname “Afer,” signifying “African,” is a poignant testament to his ethnic background. Although there’s no definitive proof of his exact ancestry or skin color, the confluence of his name, birthplace, and the times he lived in suggests a possible Black lineage. Terence’s significance transcends his plays; he stands as a symbol of the rich cultural tapestry of the Roman Empire, demonstrating that talent and recognition knew no racial bounds in the cosmopolitan world of ancient Rome.

Terence, 9th-century illustration, possibly copied from 3rd-century original
Terence, 9th-century illustration, possibly copied from 3rd-century original (Source: Wikipedia)

The mosaic arts, frescoes, and sculptures from regions like North Africa offer further insights into the presence of black individuals in Roman society. Whether as soldiers, servants, or free professionals, these depictions underscore the multifaceted roles that blacks occupied in the Roman world.

Roman views on race diverged significantly from modern perspectives. Identity was often linked more to culture, place of origin, language, and status rather than skin color. The Roman ideal of “universal citizenship” underlined the empire’s inclusivity, where being ‘Roman’ transcended racial and ethnic delineations.

Roman Mosaic of an Aethiopian Fisherman
Roman Mosaic of an Aethiopian Fisherman (Public Domain)

In essence, the narrative of blacks in ancient Roman society is a testament to the empire’s cosmopolitan ethos. From Quintus Lollius Urbicus’s administrative prowess to Saint Maurice’s spiritual legacy and Caracalla’s imperial reign, these figures embody an era where the color of one’s skin was a mere detail in the grand mosaic of Roman civilization.

Additionally, for more insights on a related topic, check out this article:

Black Roman Emperors?

 

Historical Challenge: Can You Conquer the Past?

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Which emperor is known for building a massive wall across Northern Britain?

2 / 20

In which country did the USSR intervene in 1968?

 

3 / 20

Which country was divided into communist and non-communist regions at the 38th parallel after World War II?

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What battle marked the end of the Persian Wars, where the Greeks emerged victorious?

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What did Robert E. Lee do after the Civil War?

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In which year did John F. Kennedy become President of the United States?

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Which of the following Pharaohs was known for his unusually long reign of around 66 years?

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Which 19th-century policy sought to assimilate Native Americans into mainstream American society?

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The photograph features a statue known as "William" or "William the hippopotamus", the unofficial mascot of the Metropolitan Museum of Art in the US. Do you know to which ancient civilization this statue belonged?

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